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He has always been compared to Laurence Olivier. But, as his star-laden season opens at the Garrick, can he now outdo him as actor-manager – and save the West End? Kenneth Branagh: ‘Shrewd enough to know the public craves stars. ’ Photograph: Johan Persson O ne thing I know about Kenneth Branagh: he has a strong sense of the past. I was astonished on first meeting him, just out of drama school, at how well informed he was about theatre history. “It’s because, ” he told me, “I used to sit in my bedroom, as a boy in Reading, devouring old copies of Plays and Players. ” So Branagh will know as well as anyone that, by setting up his own company to present a five-play West End season at the Garrick starting with The Winter’s Tale, he is inviting comparison with the great actor-managers of the past. Kenneth Branagh Theatre Company season trailer The dominance of the actor-manager reached its peak in the Victorian era when all the major London theatres were run by famous actors. George Bernard Shaw, however, constantly ridiculed the idea. Reviewing Henry Irving at the Lyceum in a third-rate play about King Arthur, he wrote: “I sometimes wonder where Mr Irving will go to when he dies – whether he will dare to walk where any day he may meet Shakespeare whom he has mutilated, Goethe whom he has travestied and the nameless creator of the hero-king out of whose mouth he has uttered jobbing verses. ” Eventually the actor-manager died out, replaced by itinerant figures such as the fitfully great Donald Wolfit, who toured Shakespeare productions in which every expense was visibly spared. But, if there is one individual who has influenced Branagh, it is clearly Laurence Olivier. Branagh said recently that Olivier has always been “an inspiration” rather than someone with whom he’d compare himself. But comparisons are inevitable. Branagh’s film of Henry V, with its emphasis on the mud-caked chaos of Agincourt stands as a corrective to the patriotic glamour of Olivier’s wartime film. And, where Olivier’s movie Hamlet cut the text ruthlessly, Branagh gave us a full four-and-a-half hour version even finding room for a brief glimpse of Ken Dodd as Yorick. Laurence Olivier, left, and Kenneth Branagh in their film versions of Shakespeare’s Henry V (1944, 1989). Photograph: National Film Archive, Everett Collection/Rex Features When Branagh played Macbeth at St Peter’s church, Manchester in 2013, I was struck by the way he would pounce on a single word exactly as Olivier used to do: “To be thus is NOTHING but to be safely thus, ” he cried with a fierce tenor bark. He even played Olivier in the film My Night With Marilyn where he caught precisely the great man’s theatrical camp and gimlet-eyed stare. Branagh will also challenge Olivier on his own ground when, a year from now, he takes on the role of Archie Rice in The Entertainer: I see no reason why he shouldn’t succeed since, as with Olivier, there is a good deal of the pub comic lurking inside Branagh. There is, however, a vast difference between Olivier and Branagh as actor-manager. When Laurence Olivier Productions was set up in 1947, it was partly Olivier’s reaction to his brutal sacking by the Old Vic board while leading the company on a triumphant tour of Australia, partly infrastructure for his partnership with Vivien Leigh, even though their marriage was falling apart. Olivier even thought it would be fun, as he said, “to own his own shop”. But although LOP had a few big hits – notably A Streetcar Named Desire with Leigh – and even took a four-year lease on the St James’s theatre, it never really prospered. Olivier, for all his genius as an actor, had a strange capacity for picking duds. A transplanted Anouilh play, Fading Mansions, and Tyrone Guthrie’s Top of the Ladder both closed in a couple of weeks and a Gian Carlo Menotti opera, The Consul, lost a small fortune. Olivier only really came into his own as an actor-manager when he ran the National Theatre; but there he had a hand-picked team of co-directors and a literary manager in Kenneth Tynan. Kenneth Branagh with Rob Brydon, one of the stars of his season. Photograph: Johan Persson The case with Branagh is totally different. Even at the start of his career, he successfully created and co-ran the Renaissance Theatre Company. He is shrewd enough to know the public craves stars: not only will he be in four of the five plays but fellow actors include Judi Dench and Rob Brydon. But the key point is that Branagh has realised that the West End has to radically change in order to survive. If there is a model for his new season, it has nothing to do with the actor-managers of the past but with the work of Michael Grandage in taking over first Wyndham’s and then the Noel Coward to present star-laden packages of old and new plays. The truth is obvious: that the only real hope for the survival of high-quality drama in the West End lies in seasons spearheaded by a big-name director or actor. There is an even greater truth behind that: that commercial theatre has to be run on the same lines as the subsidised sector. That means cheap tickets and the work being transmitted live to a mass audience: Branagh has already announced that The Winter’s Tale, Romeo and Juliet and The Entertainer will be screened to 1, 300 cinemas in Britain and around the world. Everywhere you look, the commercial sector has woken up to the fact that you have to have a coherent policy and distinct identity. Grandage has done it in the West End. So, too, Jamie Lloyd at the Trafalgar Studios and first Kevin Spacey and now Matthew Warchus at the Old Vic. What we are seeing is not the resurrection of the dusty old actor-manager with the spotlight on a single ego. It is something of far greater significance: the realisation that serious commercial theatre will die unless it can offer continuity, affordability and the heady aroma of a special event. The Kenneth Branagh Theatre Company’s season at the Garrick, London, begins with The Winter’s Tale on 17 October. Kenneth Branagh and members of the company talk to Mark Lawson in a Guardian Live event on Thursday 8 October at Milton Court, Guildhall School of Music & Drama, London. Buy tickets here.
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Branagh theatre live: the winter's tale download torrent youtube. Branagh Theatre Live: The Winter's Tale Download torrente. Branagh theatre live: the winter's tale download torrent sites. When this will on blu-ray. Branagh theatre live: the winter's tale download torrent 2016. Branagh theatre live: the winter's tale download torrent movie. A new theatre company led by actor-director Kenneth Branagh is set to take over residence at the Garrick Theatre in London's West End from October 2015 to November 2016. Named The Kenneth Branagh Theatre Company, their first season will include a mix of classic plays, comedies and new work. Working alongside artistic associates director Rob Ashford and designer Christopher Oram, this year long season will see performers such as Rob Brydon, Judi Dench, Lily James and Richard Madden take to the Garrick Theatre stage. Actor and director Kenneth Branagh was last seen in the West End in the Donmar's 2008 production of Chekhov's 'Ivanov'. As a director, his work on film has been celebrated internationally – including his versions of 'Henry V', 'Much Ado About Nothing' and 'Othello'. 2013 saw his first collaboration with director Rob Ashford, as the pair brought a new version of Macbeth to Manchester, which was later screened globally and enjoyed a successful run in New York. This new season will see them working together on a number of different plays, with Branagh starring once again in the central roles, alongside an all star cast, with many names yet to be announced. The Winter's Tale The first production of the season will be a new imagining of Shakespeare's late problem play starring Kenneth Branagh as Leontes and Dame Judi Dench as Paulina. Running from 17 October 2015 to 16 January 2016 this tragicomedy is one of Shakespeare's most intricate works, blending the pastoral world of Bohemia with King Leontes' Sicilia – highlighting how jealously and obsession can be overcome by the power of forgiveness and redemption. Judi Dench returns to the West End following her recent role in the Michael Grandage Company's 'Peter and Alice'. The production will be co- directed by Rob Ashford. Harlequinade A rare chance to see Terrence Rattigan's one act comedy, this second production will run in rep alongside 'The Winter's Tale' from 24 October to 13 January 2016. Branagh will once again star in this backstage farce in a production co-directed by Rob Ashford. Set backstage where a theatre company are preparing to present 'Romeo and Juliet' and 'The Winter's Tale', this face follows a husband and wife acting duo who are thrown into disarray as secrets from the past come to the foreground, proving that sometimes the best drama occurs behind the scenes. The Painkiller This will be followed by the London transfer of new comedy adapted and directed by Sean Foley from the original French farce by Francis Veber, which runs from 5 March 2016 to 30 April 2016. Originally presented at the Lyric Theatre in Belfast, the London production will reunite Kenneth Branagh and Rob Brydon in a new farce that follows two men in two lonely hotel rooms, with one adjoining door. One man is a killer, and the other wants to die. What could possibly go wrong?! The production will be directed by Sean Foley whose recent West End credits include 'Jeeves and Wooser – Perfect Nonsense', 'I Can't Sing! ' and 'The Ladykillers'. Comedian Rob Brydon returns to the West End following a stint in 'A Chorus of Disapproval' at the Harold Pinter Theatre in 2012. Romeo and Juliet The second Shakespeare production in the season will reunite director Kenneth Branagh with Lily James and Richard Madden, the stars of his recent live action film 'Cinderella'. Running from 12 May 2016 to 13 August 2016, this heartbreaking tale of forbidden love is one that has inspired generations of adaptations and thoroughly deserves to be seen in its original form. 'Game of Thrones' star Richard Madden plays opposite 'Downton Abbey's' Lily James as Shakespeare's star crossed lovers. The Entertainer The final production in the season will see Kenneth Branagh take on the role of Archie Rice in John Osborne's classic bleak comedy from 20 August 2016 to 12 November 2016. Known as one of the prime examples of kitchen sink realism, the play blends the declining world of British music hall with a striking domestic set in post-war Britain. Archie Rice's comic act is as tragic as his home life, and Osborne's celebrated play acts as a window into the decline of British Imperialism following the Second World War. The production will be directed by Rob Ashford. Tickets for all productions are now on sale.
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Variety has just confirmed earlier rumors that stage and screen star Kenneth Branagh will take on a new big screen adaptation of Agatha Cristie's iconic detective novel MURDER ON THE ORIENT EXPRESS. He will also star in the film. Michael Green pens the screenplay which follows detective Hercule Poirot as he investigates the murder of a wealthy American on a train. Christie's detective novel, first published in 1934, was brought to the big screen in 1974. The film featured an all-star cast, including Albert Finney, Martin Balsam and George Coulouris. Branagh most recently directed Disney's live action CINDERELLA, which delivered $532. 7 million worldwide. Previous directing credits include HENRY V, JACK RYAN: SHADOW RECRUIT, MARILYN AND ME and THOR. Branagh, who just started his own theatre company, has long been lauded as one of the great Shakespearean interpreters. His skills as a writer, director, and actor have garnered international acclaim across the disciplines of stage, film, and television, and he has been nominated in five different categories for an Academy Award. Branagh last performed Shakespeare when he played Richard III at the Sheffield Crucible in 2002. His stage performances as Edmund at The National Theatre and Ivanov for the Donmar played to great acclaim. In 2011, Branagh completed a sell-out run of the hit comedy The Painkiller at the Lyric Theatre in his native Belfast. In 2013 he received a Knighthood for his services to drama and to the community in N. Ireland. Related Articles View More TV Stories From This Author Movies News Desk.
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