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Writed by Nora Ephron
actor Billy Crystal
Info Harry and Sally first meet as they finish college in Chicago and spend 18 hours together in a car headed to New York. They don't quite hit off, particularly after Harry opines that a man and a woman can never be just friends because he'll always want to have sex with her. Over the next 10 years, they occasionally meet and soon do in fact become fast friends. They share the intimate details of their lives - hopes, dreams, failures and successes - and in the process also fall in love. It's not evident that will be able to sustain their relationship once they sleep together however
8,2 of 10 stars
Rating 183010 vote
director Rob Reiner

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Harry & sally: feitos um para o outro para.
When Harry Met Sally Introduction Release Year: 1989 Genre: Comedy, Romance Director: Rob Reiner Writer: Nora Ephron Stars: Meg Ryan, Billy Crystal When Harry met Sally, the romantic comedy genre changed forever. That's really the long and short of it. Released in 1989, When Harry Met Sally became a massive critical and commercial success. How'd it pull that off? With the perfect rom com recipe: 1 part Meg Ryan 1 part Billy Crystal a dash of the Big Apple a pinch of irony—okay, more like a healthy heaping 6 adorable old couples et voila! Romantic comedy magic. Written by the indelible Nora Ephron and directed by the ever-charming Rob Reiner, When Harry Met Sally tells the twelve-year love story of two neurotic but lovable New Yorkers who start off hating each other (in true screwball comedy style) wind up being best friends, and then find themselves head-over-heels in love. It's a story we've all seen before—on TV, in movies, even in pop songs. But we credit When Harry Met Sally with putting that whole friends-turned-lovers thing on the map. Since its release, people have been congratulating the movie for being awesome in just about every way possible: an Oscar nomination five Golden Globe nominations high-ranking spots on lists like AFI's 100 Years… 100 Laughs and Bravo's 100 Funniest Movies listicles up the wazoo Fans and critics alike responded to the chemistry between the stars, the fresh and zesty humor of Ephron's script, and the plot's forthright, unflinching attitude toward sex and love. Combine that with everyone's secret dream of falling madly in love with a best friend, and you've got a surefire formula for box office success. Decades later, fans are still celebrating the movie as the pinnacle of the romantic comedy genre, and critics are still pondering its influence over every romantic movie that came after. Shmoopers, that's when you know you have a classic.    What is When Harry Met Sally About and Why Should I Care? HARRY: You realize of course that we could never be friends. […] men and women can't be friends because the sex part always gets in the way. With those immortal words, Harry Burns set gender relations on its head. We're still debating this today, albeit with a more post-gender-binary spin. But really, don't we all still wonder if Harry isn't a little bit right? His frank assertion—one that both he and Sally waver on throughout the rest of When Harry Met Sally —is proof positive that this movie is about more than just a man's and a woman's paths to true love. When Harry Met Sally also tackles gender dynamics for the modern world. Is it a progressive flick? One that shows that men and women can be friends, despite all the old-school gender roles—and the sex, of course—that would seem to get in the way? Or does When Harry Met Sally stick to the tired idea that men are from Mars and women are from Venus and never the twain shall meet? The truth is, the movie doesn't fit so neatly into either option. Harry and Sally are more than just a man and just a woman, after all. They're round characters with their own quirks and neuroses that go far beyond their interest in the opposite sex. But wherever you think the movie lands when it comes to its central question, this much is true: we'll still be arguing about it for years to come. Trivia It wasn't always Meg Ryan and Billy Crystal. Lots of other actors were considered for the roles, including Albert Brooks and Molly Ringwald. And may we just say? That would have been a weird combo. Source. If you visit Katz's Deli in NYC—the site of the infamous you-know-what scene—you can sit in Harry and Sally's booth underneath this sign. Billy Crystal is known for his improv, so it makes sense that he threw some into the movie. Our favorite moment? He improvised the line " But I would be proud to partake of your pecan pie. You can tell because Meg Ryan laughs spontaneously and briefly looks off camera to Reiner, who encouraged her to go along with the scene. When Harry Met Sally Resources Websites Hungry? If you're as picky as Sally, we think these recipes might help. Meet Meg For the skinny on Meg Ryan's life, check out What Would Harry Tweet? We don't know, but we do know that Billy Crystal's twitter is worth a gander. Fans Unite The FanPop site for When Harry Met Sally has everything you fanboys and fangirls need. Adaptations The Play's the Thing In 2004, When Harry Met Sally was adapted for the stage in a production starring Alyson Hannigan and Luke Perry. Articles and Interviews A Woman's Perspective Check out these two film and culture critics as they go head-to-head on the merits of When Harry Met Sally. Happy Anniversary There were a ton of articles circulating in 2014 about the 25th anniversary of When Harry Met Sally, but this one is by far the most adorable. An Original Review… Roger Ebert knows what's up. …And a Contemporary Review It still holds up. Video What is Paprikash, Anyway? We don't know, but it sure sounds good in Harry's accent. What is She Having? Fair warning: this is not exactly safe for work, if you catch our drift. How to Lose at Pictionary Baby fish mouth is sweeping the nation. The OG Trailer Imagine seeing this on the big screen while sitting down to watch… whatever else came out in 1989. Best Friends Forever Reiner and Crystal have a boatload of fun reintroducing their old classic to a new screening audience. Audio Nora Knows What's Up Check out this old interview with Ephron, re-released in her memory upon her death. Billy Crystal Breathes Some Fresh Air In this recent interview, he talks about When Harry Met Sally, among many other things. Images Princess Di, is that You? We're guessing Harry and Sally are pretty pumped that royalty showed up to their movie premiere. Behind the Scenes Seriously, how adorable is this trio? The Poster With the Most…er This poster practically screams 1989.
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Harry & Sally: Feitos um para o outro blog. YouTube. Background The witty and likeable, lightweight, old-fashioned romantic comedy, When Harry Met Sally. 1989) was intended to answer the sexual politics question: Can two friends sleep together and still love each other in the morning? The engaging, episodic film keenly observes romance, relationships between males and females, friendship and sex. Two long-time acquaintances Harry Burns (Billy Crystal) and Sally Albright (Meg Ryan) grapple with this question over a 12-year period (beginning in the spring of 1977) as their relationship grows and matures. Their love is not "at first sight" but takes years to develop. [Note: Their contrasting names reflect their polar-opposite attitudes toward life: the dark, angst-driven, eternally pessimistic but warm nature of the male, with the bright-eyed, perky, fresh-faced, effervescent and happier character of the female. In fact, Harry says early on, When I buy a new book, I always read the last page first. That way, in case I die before I finish, I know how it ends. That, my friend, is a dark side. He is basically sexist and irascible, while she fights back in a persnickety, eccentric, feminist way. ] The film's sole Academy Award nomination was for Nora Ephron's Best Original Screenplay - written directly for the screen - it lost to Tom Schulman's script for director Peter Weir's Dead Poets Society. [Note: Ephron would go on to write and direct other romantic comedies, including Sleepless in Seattle (1993) with Rob Reiner in an acting role) and You've Got Mail (1998) both with Meg Ryan and Tom Hanks. The respective films were updates of the two classics: Leo McCarey's An Affair to Remember (1957) and Ernst Lubitsch's The Shop Around the Corner (1940. The film also features the music of Sinatra reincarnation Harry Connick, Jr. This was one of cinematographer Barry Sonnenfeld's last efforts in that role - he went on to direct The Addams Family (1991) his directorial debut film) and Addams Family Values (1993) Get Shorty (1995) and Men in Black (1997) among others. The solid lead roles and the supporting performances of the leads' best friends were neglected for Oscar consideration: Carrie Fisher as Marie and Bruno Kirby as Jess. Director Rob Reiner directed this smart, modern-day 'screwball comedy' his fifth film) of the semi-autobiographical tale - it was compiled from the shared recollections of actual romances. Reiner's first four films include the satire of rock documentaries titled This is Spinal Tap! 1984) the teen romantic comedy The Sure Thing (1985) the youthful drama Stand By Me (1986) and the delightful fantasy The Princess Bride (1987. In 2004, the film was adapted for the stage by Marcy Kahan, and opened in London with leads Luke Perry and Alyson Hannigan. The summer of 1989's 'sleeper' film has a number of startling resemblances to Woody Allen's witty, urban romance Annie Hall (1977) the title credits (with a black background and white text) along with the film's title song "It Had to Be You" sung by Diane Keaton in Allen's film) being played on a piano, direct camera interviews-testimonials, split-screen techniques, the Manhattan backdrop (including the fall foliage) evocative George Gershwin tunes, obsessive talk about sex and death, the romance between a Jew and non-Jewish woman (shiksa) and Harry and Sally's first meeting in 1977 - is the year the similar film was released. The film's ending parallels Allen's Manhattan (1979. However, the two films also differed: When Harry Met Sally. illustrated how friends can ultimately realize that they're better as lovers, while Annie Hall (1977) showed how lovers may end up better as friends. The title of the film was spoofed in Dumb and Dumberer: When Harry Met Lloyd (2003. The Story The film opens with an older couple sitting on a love seat. [This is the first of many such pseudo documentary-style scenes of recollections of older couples describing how they first met. They are actors in the roles. Speaking about his successful marriage, the balding husband talks directly into the camera with his white haired wife next to him: I was sitting with my friend Arthur Kornblum, in a restaurant, it was a Horn and Hardart Cafeteria, and this beautiful girl walked in. he gestures toward his wife. and I turned to Arthur and I said, Arthur, you see that girl? I'm going to marry her. And two weeks later we were married. And it's over fifty years later and we're still married. UNIVERSITY OF CHICAGO - 1977 The film fades into a scene on a university campus. In close-up, a couple, twenty-six year old Harry Burns (Billy Crystal) and his twenty-year old girlfriend Amanda Reese (Michelle Nicastro) are confiding their love to each other and kissing madly. They are oblivious when a yellow station wagon drives up behind them with twenty-one year old Sally Albright (Meg Ryan) Amanda's pal. After their college graduation, Sally is driving Harry, her best friend's boyfriend, to New York from their school in Chicago - it will be an 18 hour trip. Sally is blonde, smiley, clean-living, structured and very organized in an uptight way and she has already planned the entire trip: I have it all figured out. It's an eighteen-hour trip, which breaks down into six shifts of three hours each. Or alternatively, we could break it down by mileage. There's a, there's a map on the visor that I've marked to show the locations where we can change shifts. On the other hand, Harry is more of a slob, as he demonstrates by eating grapes and forgetting to roll down the window when he spits out a grape seed. They immediately take a dislike to each other. Because they have a long trip ahead of them, Harry asks: Why don't you tell me the story of your life. Sally is a would-be journalist who is to "go to journalism school to become a reporter. and she wants to make a start in Manhattan. By contrast, Harry has "a dark side" and is obsessed with death, but Sally is "one of those cheerful people who dot their 'i's' with little hearts. " Harry: When I buy a new book, I always read the last page first. That way, in case I die before I finish, I know how it ends. That, my friend, is a dark side. Sally: That doesn't mean you're deep or anything. I mean, yes, basically I'm a happy person... Harry: So am I. Sally. I don't see that there's anything wrong with that. Harry: Of course not. You're too busy being happy. Do you ever think about death? Sally: Yes. Harry: Sure you do. A fleeting thought that drifts in and out of the transom of your mind. I spend hours, I spend days... Sally. and you think this makes you a better person? Harry: Look, when the s- t comes down, I'm gonna be prepared and you're not, that's all I'm saying. Sally: And in the meantime, you're gonna ruin your whole life waiting for it. As in Woody Allen's Play It Again, Sam (1972) the opinionated Harry is also obsessed with the film Casablanca (1942) and they argue about it (in voice-over. expressing their two contrary perspectives about the film's finale. Her practical choice, later denied, is that she would prefer to leave with Victor Laszlo rather than stay with the self-sacrificing, romantic hero Rick (Humphrey Bogart) Harry: He wants her to leave. That's why he puts her on the plane. Sally: I don't think she wants to stay. Harry: Of course she wants to stay. Wouldn't you rather be with Humphrey Bogart than the other guy? Sally: I don't want to spend the rest of my life in Casablanca married to a man who runs a bar. That probably sounds very snobbish to you, but I don't. Harry: You'd rather be in a passionless marriage - Sally. and be the First Lady of Czechoslovakia - Harry. than live with the man. you've had the greatest sex of your life with, just because he owns a bar and that is all he does. Sally: Yes, and so would any woman in her right mind. Women are very practical. Even Ingrid Bergman, which is why she gets on the plane at the end of the movie. As they enter a roadside cafe, Harry demonstrates his sexist and argumentative nature. Soon, Sally is debating the odds of having great sex with a guy named 'Sheldon' while they order a dinner meal. She is compulsively concerned about how her food should be prepared: Harry: Obviously, you haven't had great sex yet... Sally: It just so happens that I have had plenty of good sex. Sally's infuriated response is so loud that other customers stop eating to notice her response. ) Harry: With whom did you have this great sex? Sally: embarrassed) I'm not going to tell you that! Harry: Fine. Don't tell me. Sally: Shel Gordon. Harry: Shel. Sheldon? No, no. You did not have great sex with Sheldon. Sally: I did too. Harry: No, you didn't. A Sheldon can do your income taxes. If you need a root canal, Sheldon's your man, but humpin' and pumpin' is not Sheldon's strong suit. It's the name. 'Do it to me, Sheldon. ' You're an animal, Sheldon. Ride me, big Sheldon. It doesn't work. Waitress: What can I get you? Sheldon: I'll have the Number Three. Sally: I'd like the chef salad, please, with the oil and vinegar on the side. And the apple pie a la I'd like the pie heated, and I don't want the ice cream on top. I want it on the side. And I'd like strawberry instead of vanilla if you have it. If not, then no ice cream, just whipped cream, but only if it's real. If it's out of a can, then nothing. Waitress: Not even the pie? Sally: No, just the pie. But then not heated. Curious about her relationship with Sheldon but also feigning disinterest, Harry pursues the issue further: Harry: So how come you broke up with Sheldon? Sally: How do you know we broke up? Harry: Because if you didn't break up, you wouldn't be with me, you'd be off with Sheldon the Wonder Schlong. Sally: First of all, I am not with you. And second of all, it is none of your business why we broke up. Harry: You're right, you're right. I don't want to know. Sally: Well, if you must know, it was because he was very jealous and I had these Days of the Week underpants. Harry: He makes a loud buzzer sound) I'm sorry. I need a judge's ruling on this. Days of the Week underpants? Sally: Yes. They had the days of the week on them, and I thought they were sort of funny - and then one day, Sheldon says to me, You never wear Sunday. He's all suspicious. Where was Sunday? Where had I left Sunday? And I told him, and he didn't believe me. Harry: What? Sally: They don't make Sunday. Harry: Why not? Sally: matter-of-factly) Because of God. After Sally has finished figuring out her portion of the bill and tip that she will pay, by using a calculator, Harry just stares at her and flirtatiously remarks how attractive she is: Harry: smiling) You're a very attractive person. Sally: suspicious) Thank you. Harry: Amanda never said how attractive you were. Sally: Well, maybe she doesn't think I'm attractive. Harry: I don't think it's a matter of opinion. Empirically, you are attractive. (She gets up. ) Sally: astonished) Amanda is my friend. Harry: So? Sally: So, you're going with her. Sally: So, you're coming on to me. Harry: No I wasn't. (With disbelief, she stares at him. ) As they leave the diner, Sally defensively believes he is "coming on" to her. To carry his line of reasoning further - to get her riled up and to argue his point - Harry proposes going to bed with her. Ultimately, Harry believes that men and women cannot be friends, because sex will always interfere. [This is a classic discussion of the film's main question: Can a man and a woman ever be 'just friends. Harry: What? Can't a man say a woman is attractive without it being a come-on? All right, all right. Let's just say, just for the sake of argument, that it was a come-on. What do you want me to do about it? I take it back, OK? I take it back. Sally: You can't take it back. Sally: Because it's already out there. Harry: Oh jeez. What are we supposed to do? Call the cops? It's already out there! Sally: Just let it lie, OK? Harry: Great! Let it lie. That's my policy. (They get into the car. ) That's what I always say. Let it lie. Want to spend the night in a motel? She glares at him. You see what I did? I didn't let it lie. Sally: Harry - Harry: I said I would and I didn't. I went the other Sally: We are just going to be friends, OK? Harry: Great, friends. It's the best realize, of course, that we can never be friends. Sally: Why not? Harry: What I'm saying is - and this is not a come-on in any way, shape, or form - is that men and women can't be friends, because the sex part always gets in the way. Sally: That's not true. I have a number of men friends and there is no sex involved. Harry: No, you don't. Sally: Yes, I do. Harry: You only think you do. Sally: You're saying I'm having sex with these men without my knowledge? Harry: No, what I'm saying is they all want to have sex with you. Sally: They do not. Harry: Do too. Sally: How do you know? Harry: Because no man can be friends with a woman that he finds attractive. He always wants to have sex with her. Sally: So you're saying that a man can be friends with a woman he finds unattractive. Harry: No, you pretty much want to nail them, too. Sally: What if they don't want to have sex with you? Harry: Doesn't matter, because the sex thing is already out there, so the friendship is ultimately doomed, and that is the end of the story. Sally: Well, I guess we're not gonna be friends, then. Harry: Guess not. Sally: That's too bad. You were the only person that I knew in New York. The camera tracks their car as it crosses the George Washington Bridge into New York City, and they arrive at Harry's destination near Washington Square. In an awkward moment of goodbye, they shake hands and part ways after an "interesting" ride: Harry: It was nice knowin' ya. Sally: Yeah. (They shake hands - and she waves. After walking to the car door, she turns. Well, have a nice life. Harry: You too. As an interlude, a second direct-camera interview is presented, with an even older couple sitting together on the same loveseat: Woman: We fell in love in high school. Man: Yeah, we were high school sweethearts. Woman: But then after our junior year, his parents moved away. Man: But I never forgot her. Woman: He never forgot me. Man: No, her face was burned on my brain. And it was thirty-four years later that I was walking down Broadway and I saw her come out of Toffinetti's. Woman: And we both looked at each other, and it was just as though not a single day had gone by. Man: She was just as beautiful as she was at sixteen. Woman: He was just the same. He looked exactly the same. FIVE YEARS LATER At La Guardia Airport in New York, another loving couple are kissing at one of the departure gates. Sally and her new boyfriend named Joe (Steven Ford. When Harry, now wearing a suit and tie, passes by the couple to catch a plane to Washington, he notices them, goes past, and then backs up. Joe, a lawyer, is an acquaintance of Harry's, who has become a political consultant. Although he greets Joe, Harry is unable to place Sally in his memory, but he looks quizzically at her after being introduced. When Harry boards the plane, she tells Joe about her distasteful memories of their college-era drive to New York: Sally: Thank God he couldn't place me. I drove from college to New York with him five years ago and it was the longest night of my made a pass at me, and when I said no - he was going with a girlfriend of mine - oh God, I can't remember her name. (jokingly) Don't get involved with me, Joe, I am twenty-six years old and I can't even remember the name of the girl I was such good friends with, I wouldn't get involved with her boyfriend. I said we could just be friends, and - this part I remember - he said that men and women could never really be friends. Do you think that's true? Joe: No. Sally: Do you have any woman friends, just friends? Joe: No, but I will get one if it's important to you. Finding themselves on the same plane and only one row apart, Harry overhears Sally's fussy ordering, and then suddenly places her: The University of Chicago, right. They renew acquaintances after he switches seats to be next to her. Both of them are in relationships - Sally has only known Joe for a month and she tells Harry: Neither one of us is looking to get married right now. " On the contrary, Harry, a crude and cynical womanizer who is "madly in love" is "embracing life" according to Sally) and getting married to Helen Hillson, a lawyer: Harry. just get to a certain point when you get tired of the whole thing. Sally: What whole thing? Harry: The whole life-of-a-single-guy. You meet someone, you have the safe lunch, you decide you like each other enough to move on to dinner, you go dancing, you do the white man's overbite, you go back to her place, you have sex, and the minute you're finished, you know what goes through your mind? How long do I have to lie here and hold her before I can get up and go home? Is thirty seconds enough? Sally: That's what you're thinking? Is that true? Harry: Sure. All men think that. How long do you like to be held afterwards? All night, right? See, that's the problem. Somewhere between thirty seconds and all night is your problem. Sally: I don't have a problem. Harry: Yeah, you do. While staying over in Washington, Harry proposes that they both have dinner together - as friends. As they stood on the moving escalator at the airport, he struggles to explain that he has an amendment to his earlier rule about relationships between men and women: Yes, that's right. They can't be both of them are involved with other people. Then they can. This is an amendment to the earlier rule. If the two people are in relationships, the pressure of possible involvement is lifted. That doesn't work either. Because what happens then is the person you're involved with can't understand why you need to be friends with the person you're just friends with, like it means something is missing from the relationship and wanted to go outside to get it. Then when you say, No, no, no, no, it's not true, nothing is missing from the relationship. the person you're involved with then accuses you of being secretly attracted to the person you're just friends with, which you probably are - I mean, come on, who the hell are we kidding, let's face it - which brings us back to the earlier rule before the amendment, which is men and women can't be friends. So where does it leave us? They both realize that they must not see each other and part ways again.

Critics Consensus Rob Reiner's touching, funny film set a new standard for romantic comedies, and he was ably abetted by the sharp interplay between Billy Crystal and Meg Ryan. 90% TOMATOMETER Total Count: 70 89% Audience Score User Ratings: 395, 900 When Harry Met Sally Ratings & Reviews Explanation When Harry Met Sally Photos Movie Info Harry and Sally have known each other for years, and are very good friends, but they fear sex would ruin the friendship. Rating: R Genre: Directed By: Written By: In Theaters: Jul 12, 1989 wide On Disc/Streaming: Oct 13, 1998 Runtime: 96 minutes Studio: Columbia Pictures Cast News & Interviews for When Harry Met Sally Critic Reviews for When Harry Met Sally Audience Reviews for When Harry Met Sally When Harry Met Sally Quotes News & Features.

Harry & Sally: Feitos um para o outdoor. I was sitting with my friend Arthur Kornblum in a restaurant. It was a Horn & Hardart cafeteria. And this beautiful girl walked in, and I turned to Arthur and I said "Arthur, you see that girl? I'm going to marry her. And two weeks later we were married. And it's over 50 years later, and we're still married. It's very clear UNIVERSITY OF CHICAGO - 1977 ~ Our love is here to stay - I love you. I love you. Not for a year ~ But ever and a day ~ Oh, the radio and the telephone ~ And the movies that we know ~ May just be passing fancies. Hi, Sally. Sally, this is Harry Burns. Harry, this is Sally Albright. Nice to meet you. Wanna drive the first shift. You're there already. You start. Back's open. Call me. I'll call you as soon as I get there. Call me from the road. I'll call you before that. Sorry. I miss you already. I miss you already. I miss you. Bye. In time, the Rockies may crumble ~ Gibraltar may tumble ~ They only made of clay ~ But ~ Our love is here to stay I have it all figured out. It's an 18-hour trip, which becomes six shifts of three hours. Or, alternatively, we could break it down by mileage. There's a. There's a map on the visor that I've marked to show the locations where we can change shifts. Grape? No. I don't like to eat between meals. I'll roll down the window. Why don't you tell me the story of your life. The story of my life. We got 18 hours to kill before New York. That won't even get us out of Chicago. Nothing's happened to me yet. So I'm going to New York. So something'll happen. Yes. Like what? Like I'm going to journalism school. So you can write about things that happen to other people. That's one way to look at it. Suppose nothing happens. Suppose you never meet anybody, you never become anything, then you die and nobody notices for two weeks until the smell drifts into the hall. Amanda said you had a dark side. That's what drew her to me. Your dark side. Sure. Why, don't you have a dark side? I know, you probably dot your "i"s with little hearts. I have just as much of a dark side as the next person. Oh, really? When I buy a new book, I always read the last page first. That way, if I die before I finish I know how it ends. That, my friend, is a dark side. That doesn't mean you're deep. I mean, yes, basically I'm a happy person. So am I. I don't see anything wrong with that. No, you're too busy being happy. Ever think about death. Yes. Sure you do. A fleeting thought that drifts in and out of the transom of your mind. I spend days. And this makes you a better person? Look, when the shit comes down, I'm gonna be prepared and you're not. In the meantime, you're gonna ruin your whole life waiting for it. You're wrong. I'm not wrong. He wants her to leave. That's why he puts her on the plane. She doesn't want to stay! Of course she wants to stay! Wouldn't you rather be with Bogart than the other guy? I don't wanna spend my life in Casablanca married to a man who runs a bar. That probably sounds snobbish to you, but I don't. You'd rather be in a loveless marriage. And First Lady of Czechoslovakia... with the man you had the greatest sex of your life with, just because he owns a bar and that is all he does? Yes. And so would any woman in her right mind. Women are practical, even Ingrid Bergman, which is why she gets on the plane at the end of the movie. I understand. What? What.

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Enter the characters you see below Sorry, we just need to make sure you're not a robot. For best results, please make sure your browser is accepting cookies. Type the characters you see in this image: Try different image Conditions of Use Privacy Policy 1996-2014, Inc. or its affiliates. Harry & Sally: Feitos um para o outre et ramecourt. Information Studio MGM Released 1989 Copyright 1989 CASTLE ROCK ENTERTAINMENT. Languages Primary English (Subtitles, Stereo, Dolby 5. 1) Additional Danish (Subtitles) Dutch (Subtitles) Finnish (Subtitles) French (Subtitles) German (Subtitles) Hungarian (Subtitles) Italian (Subtitles) Norwegian (Subtitles) Polish (Subtitles) Portuguese (Subtitles) Spanish (Subtitles) Spanish (Spain) Subtitles) Swedish (Subtitles) Accessibility CC Closed captions (CC) refer to subtitles in the available language with the addition of relevant non-dialogue information.

Chapter one When Harry Potter first realised that he was a metamorphmagus, he planned to tell Hermione and Ron, he also figured he would tell Sirius. Now after a week of reading up on what a metamorphmagus could do, he decided that being able to change his appearance would give him some privacy. He had only researched it because of all the times Petunia hacked off his hair, and it grew back overnight. It took him a while to find out how he was about to regrow his hair back, now he knew it would come in handy. After the rebirth of Voldemort and the murder of Cedric, Hermione and Ron hardly left him alone. Harry knew they cared but he was beginning to feel suffocated. He would move away from them or wander off in a different direction. He sent Hedwig out for a few extra books that mentioned metamorphmagus, but he learned to charm the covers so no one would realise what he was really reading. Because of the triwizard tournament, Harry learned a lot more spells that neither Ron nor Hermione knew. Even the teachers didn't know some of the things he had begun to study. Using his cloak he often snuck into the library of a night, and usually into the restricted section. He didn't just go for those types of books, he also got a lot of books that the seventh years would study. He needed to learn as much as he could to survive the tournament. After the escape from the graveyard, and how Fudge refused to believe that Voldemort had returned. Harry knew the following school year would be just like in second year. He would have half the school against him. Now he could change his features, even his body so no one would see Harry Potter when they looked at him. It would give him a bit of peace and a bit of privacy. It was the night before he was due to leave Hogwarts to return to Privet drive that Harry realised just how his new gift could give him a better summer than he's ever had. He just had to wait until he got into his room at the Dursley's before he could use his new ability. Before everyone woke up, Harry used one of the spells he learned on his school bag. He put a feather light charm on it, along with an undetectable expansion charm. He wasn't going to leave his Firebolt at the Dursley's, so he needed a way to take it with him without any muggles seeing him. The following morning Harry finished breakfast, his friends beside him, chatting away about the holidays. Harry was quiet, he mainly stared around to see how people were taking the news about Voldemort. Dumbledore had informed the school, even if the minister told him not to. Dumbledore always did what he wanted. In some ways Harry liked the way the headmaster went about things, and didn't care what anyone thought of him. But there were many things that the headmaster did that Harry hated. Harry had stopped trusting the man when he never tried to get Harry out of competing in the triwizard tournament. It wasn't until after Cedric died that Harry did some research into the tournament. He found out that the three headmasters or headmistresses could have agreed to cancel the competition, then the goblet would relight. Harry realised that if he was going to have a chance at surviving what was to come, he needed to keep his idea's, his plans, and his gift a secret, especially from Dumbledore. He knew Hermione would tell McGonagall, who would tell Dumbledore. Ron, he would probably let it slip to his parent's or one of his siblings. No, Harry had to keep this secret from everyone. This was his life, he couldn't trust anyone with his life so now he would remain silent about any plans he had. Harry hurried up to his room at Privet drive, then using his cloak, snuck into Dudley's room. He needed to see the front of the house. He had a suspicion about something and needed to see if his gut feeling was right. He stood staring down at the front garden, waiting and watching. He knew Dudley had gone to his friends, so he had some time. It only took Harry twenty minutes of watching before he was proven right. A woman appeared in the yard before she slipped an invisibility cloak on. After what happened in the graveyard, Harry had a feeling that Dumbledore would have people keeping an eye on him. But this time Harry was not going to do what was expected, he had his plans, at least the beginning of his plans ready. Now he just had to work on sneaking out of the house at the right time so no one would get suspicious. Harry moved to Dudley's wardrobe where he found one of his cousin's backpacks. He knew it meant leaving behind his trunk, unless he could find a place to hide it, at least for a while. He had his bag, but having a second wouldn't hurt. He also found some of Dudley's money, which would help him escape until he got to Gringotts. First he needed to get back to his room before his uncle found him. Harry didn't bother having dinner with his so called family. He had bought a few things of the lady with the trolley from the Hogwarts express. So he sat, ate and drank while he waited. He had told Hedwig to stay at Hogwarts until the following day, then she could find him. Harry still had no idea how post owls could find someone, but Hedwig always knew where he was. Harry would just need to keep a window of his hotel room open so she could sneak in. He would explain to her that she would have to leave in a hurry if anyone from the hotel wanted to clean his room. They couldn't see a white owl sitting there. Most hotels didn't allow pets, but having an owl would be suspicious. It could mean the cleaners might mention it to someone else and the wrong person might overhear. Harry knew not many witches and wizards stayed in muggle hotels, but he couldn't take the chance. He had plans and nothing was going to stop him. Harry found a place in the garage that he knew the Dursley's wouldn't go near, at least he hoped. It was the rear of the garage where a lot of things were stored. It took Harry a while to move everything so he could hide his trunk, he had to lift everything out of the way, and do it quietly as the Dursley's were asleep. Once he had his trunk hidden behind everything else, he went back to his room, packed up his few things in the backpack he took from Dudley's room and his old school bag, then headed downstairs. He left the note he had written earlier on the kitchen bench where his aunt would find it. Now he just hoped none of the Dursley's saw the witch outside and told them Harry had left. Harry didn't think they would, the Dursley's hate anyone from the magical world. Changing his appearance, Harry was able to slip passed the person under the cloak. Even though he hated it, he made himself look like Dudley. He knew the woman hiding, if she was still here, she wouldn't think twice about Dudley heading out somewhere late at night. Sneaking away was too easy. He had to walk for a while to get to a public phone box where he called a taxi. He had taken enough money from Dudley for a taxi. He just hoped Gringotts was still open so he could visit his vault to get more money. When Harry, in his disguise as a twenty year old man with brown hair slipped through the Leaky Cauldron, it made him smile. No one looked twice at him. It was late, but there were still people in the pub. He got through into Diagon alley and to his relief, found Gringotts still opened. He knew he had to time it right. So he nodded to the two goblins standing at the door. He opened the door, but made sure the goblins went back to facing the cobbled street, then let his body morph back to Harry Potter. He went straight to the counter, holding out his key and telling the goblin he needed to visit his vault. After a very fast trip down to his vault, Harry piled his pouch and a small bag with galleons, sickles and knuts. He exchanged every bit in his pouch from magical money to muggle money. Once that was done, he left, ready to find a hotel. He decided to use his metamorph ability and just get a room at the Leaky Cauldron, just for the night. He would get a muggle hotel the following day. It didn't take Harry long the following day to get some shopping done for some decent clothes. Then he found a nice hotel where he planned to stay for a couple of weeks, maybe longer. He still wasn't sure exactly what he was going to do. He had a few plans already but he knew he would need to work on others, especially with Voldemort back. He needed to be ready for anything, but he also needed a way to get another wand and a wand that could not be traced. Neville had told him not long after the weighing of the wands for the tournament that Ollivander was the best wand maker in the country, but he wasn't the only one. Neville had heard there was one in Diagon alley, illegal and mainly dark witches and wizards used it. The aurors would close it down, but the owner would open using his fake book shop or something similar, at the front while the back of the shop was for wands. Harry would need to use his gift to get into Knockturn alley and find the wand shop. He would need to put on the perfect act and not act suspicious. Even if the owner was dark, he couldn't allow the owner to suspect he might be someone trying to close him down, or work for the aurors. So even though he had to be careful, he also had to make sure to act the part.

Harry & Sally: Feitos um para o outlook. Harry & sally: feitos um para o outro video. When Harry Met Sally. is a 1989 film about love and friendship, and the question of whether men and women can be friends. Directed by Rob Reiner. Written by Nora Ephron. Can two friends sleep together and still love each other in the morning? taglines Dialogue [ edit] Harry: When I buy a new book, I always read the last page first. That way, in case I die before I finish, I know how it ends. That, my friend, is a dark side. Sally: That doesn't mean you're deep or anything. I mean, yes, basically I'm a happy person... Harry: So am I. Sally. I don't see that there's anything wrong with that. Harry: Of course not. You're too busy being happy. Do you ever think about death? Sally: Yes. Harry: Sure you do. A fleeting thought that drifts in and out of the transom of your mind. I spend hours, I spend days... Sally. and you think this makes you a better person? Harry: Look, when the shit comes down, I'm gonna be prepared and you're not, that's all I'm saying. Sally: And in the meantime, you're gonna ruin your whole life waiting for it. Harry: You realize, of course, that we can never be friends. Sally: Why not? Harry: What I'm saying is — and this is not a come-on in any way, shape or form — is that men and women can't be friends because the sex part always gets in the way. Sally: That's not true. I have a number of men friends and there is no sex involved. Harry: No you don't. Sally: Yes I do. Harry: You only think you do. Sally: You say I'm having sex with these men without my knowledge? Harry: No, what I'm saying is they all want to have sex with you. Sally: They do not. Harry: Do too. Sally: How do you know? Harry: Because no man can be friends with a woman that he finds attractive. He always wants to have sex with her. Sally: So you're saying that a man can be friends with a woman he finds unattractive? Harry: No, you pretty much want to nail 'em too. Sally: What if they don't want to have sex with you? Harry: Doesn't matter because the sex thing is already out there so the friendship is ultimately doomed and that is the end of the story. Sally: Well, I guess we're not going to be friends then. Harry: Guess not. Sally: That's too bad. You were the only person that I knew in New York. Harry: You know you just get to a certain point where you get tired of the whole thing. Sally: What "whole thing" Harry: The whole life-of-a-single-guy thing. You meet someone, you have the safe lunch, you decide you like each other enough to move on to dinner. You go dancing, you do the white-man's over-bite, go back to her place, you have sex and the minute you're finished you know what goes through your mind? How long do I have to lie here and hold her before I can get up and go home. Is thirty seconds enough? Sally: That's what you're thinking? Is that true? Harry: Sure! All men think that. How long do you want to be held afterwards? All night, right? See there's your problem, somewhere between thirty seconds and all night is your problem. Sally: I don't have a problem! Harry: Yeah you do. Harry: Would you like to have dinner. friends. Sally: I thought you didn't believe men and women could be friends. Harry: When did I say that? Sally: On the ride to New York. Harry: No, no, no, no, I never said that. Yes, that's right, they can't be both of them are involved with other people. Then they can. This is an amendment to the earlier rule. If the two people are in relationships, the pressure of possible involvement is lifted. That doesn't work either. Because what happens then is the person you're involved with can't understand why you need to be friends with the person you're just friends with, like it means something is missing from the relationship and wanted to go outside to get it. Then when you say, No, no, no, no, it's not true, nothing is missing from the relationship. the person you're involved with then accuses you of being secretly attracted to the person you're just friends with, which you probably are - I mean, come on, who the hell are we kidding, let's face it - which brings us back to the earlier rule before the amendment, which is men and women can't be friends. So where does it leave us? Sally: Goodbye Harry. Harry: I knew the whole time that even though we were happy, it was just an illusion and that one day she would kick the shit out of me. Jess: Marriages don't break up on account of infidelity - it's just a symptom that something else is wrong. Harry: Oh really? Well, that symptom is fucking my wife. Harry: You know, the first time we met, I really didn't like you that much - Sally: I didn't like you. Harry: Yeah you did. You were just so uptight then. You're much softer now. Sally: You know, I hate that kind of remark. It sounds like a compliment, but really it's an insult. Harry: OK, you're still as hard as nails. Sally: I just didn't want to sleep with you, and you had to write it off as a character flaw instead of dealing with the possibility that it might have something to do with you. Harry: What's the statute of limitations on apologies? Sally: Ten years. Harry: Ooh. I can just get it in under the wire. Sally: Harry, would you like to have dinner with me sometime? Harry: Great. A woman friend. You know, you may be the first attractive woman I've not wanted to sleep with in my entire life. Sally: That's great, Harry. Jess: I don't understand this relationship. Harry: What do you mean? Jess: You enjoy being with her? Harry: Yeah. Jess: You find her attractive? Jess: And you're not sleeping with her. Harry: No. Jess: You're afraid to let yourself be happy. Harry: Why can't you give me credit for this? This is a big thing for me. I never had a relationship with a woman that didn't involve sex. I feel like I'm growing. Harry: It's very freeing. I can say anything to her. Jess: Are you saying you can say things to her you can't say to me? Harry: Nah, it's just different. It's a whole new perspective. I get the woman's point of view on things. She tells me about the men she goes out with and I can talk to her about the women that I see. Jess: You tell her about other women. Harry: Yeah. Like the other night. I made love to this woman, and it was so incredible, I took her to a place that wasn't human, she actually meowed. Jess: You made a woman meow? Harry: Yeah. That's the point, I can say these things to her. And the great thing is, I don't have to lie because I'm not always thinking about how to get her into bed. I can just be myself. Harry: while watching Casablanca] There are two kinds of women: high maintenance and low maintenance. Sally: And Ingrid Bergman is low maintenance? Harry: An L. M. Definitely. Sally: Which one am I? Harry: You're the worst kind; you're high maintenance but you think you're low maintenance. Sally: I don't see that. Harry: You don't see that? Waiter, I'll begin with a house salad, but I don't want the regular dressing. I'll have the balsamic vinegar and oil, but on the side. And then the salmon with the mustard sauce, but I want the mustard sauce on the side. "On the side" is a very big thing for you. Sally: Well, I just want it the way I want it. Harry: I know; high maintenance. Sally: You know, I am so glad I never got involved with you. I just would have ended up being some woman you had to get up out of bed and leave at three o'clock in the morning and go clean your andirons. And you don't even have a fireplace. Harry: Why are you getting so upset about this? Sally: You are a human affront to all women. And I am a woman. Harry: I think they have an OK time. Harry: What do you mean how do I know? I know. Sally: Because they... Harry: Yes, because they... Sally: And how do you know that they really... Harry: What are you saying, that they fake orgasm? Sally: It's possible. Harry: Get outta here! Sally: Why? Most women at one time or another have faked it. Harry: Well they haven't faked it with me. Harry: Because I know. Sally: Oh, right, that's right, I forgot, you're a man. Harry: What is that supposed to mean? Sally: Nothing. It's just that all men are sure it never happened to them and that most women at one time or another have done it so you do the math. Harry: You don't think that I could tell the difference? Sally: No. Harry: Get outta here. [Sally begins to fake an orgasm] Harry: Are you OK? Sally continues very audibly, attracting the attention of nearly every customer in the cafe. Afterwards, she returns to eating her dessert] Older Woman Customer: to waiter] I'll have what she's having. Note: the bolded line is ranked #33 in the American Film Institute's list of the top 100 movie quotations in American cinema. Sally: I don't have to take this crap from you. Harry: If you're so over Joe, why aren't you seeing anyone? Sally: I see people. Harry: See people? Have you slept with one person since you broke up with Joe? Sally: What the hell does that have to do with anything? That will prove I'm over Joe? Because I fuck somebody? Harry, you're gonna have to move back to New Jersey because you've slept with everybody in New York and I don't see that turning Helen into a faint memory for you. Besides, I will make love to somebody when it is making love. Not the way you do it like you're out for revenge or something. Harry: Are you finished now? Harry: Can I say something? Harry: I'm sorry. I'm sorry. Sally: Crying hysterically] And I'm going to be forty! Harry: When? Sally: Someday! Harry: In eight years! Sally: But it's there! It's like a big dead end! And it's not the same for men. Charlie Chaplin had kids in his 70's! Harry: Yeah, but he was too old to pick them up. Harry: Why can't we get past this? I mean, are we gonna carry this thing around forever? Sally: Forever? It just happened! Harry: It happened three weeks ago. You know how a year to a person is like seven years to a dog? Sally: Yes. Is one of us supposed to be a dog in this scenario? Harry: Yes. Sally: Who is the dog? Harry: You are. Sally: I am? I am the dog? I am the dog? Harry: Um-hmm. Sally: I am the dog. I-I don't see that, Harry. If anybody is the dog, you are the dog. You want to act like what happened didn't mean anything. Harry: I'm not saying it didn't mean anything. I am saying why does it have to mean everything? Sally: Because it does! And you should know that better than anybody because the minute that it happens, you walk right out the door. Harry: I didn't walk out. Sally: No, sprinted is more like it. Harry: We both agreed it was a mistake. Sally: The worst mistake I ever made. Harry: What do you want from me? Sally: I don't want anything from you! Harry: Fine. Fine, but let's just get one thing straight. I did not go over there that night to make love to you, that is not why I went there. But you looked up at me with these big weepy eyes, don't go home night Harry, hold me a little longer Harry. What was I supposed to do? Sally: What are you saying, you took pity on me? Harry: No, I was... Sally: Fuck you! slaps Harry] Harry: I've been doing a lot of thinking, and the thing is, I love you. Sally: What? Harry: I love you. Sally: How do you expect me to respond to this? Harry: How about, you love me too? Sally: How about, I'm leaving? Harry: Doesn't what I said mean anything to you? Sally: I'm sorry, Harry. I know it's New Year's Eve. I know you're feeling lonely, but you just can't show up here, tell me you love me, and expect that to make everything all right. It doesn't work this way. Harry: Well, how does it work? Sally: I don't know, but not this way. Harry: How about this way? I love that you get cold when it's 71 degrees out. I love that it takes you an hour and a half to order a sandwich. I love that you get a little crinkle above your nose when you're looking at me like I'm nuts. I love that after I spend the day with you, I can still smell your perfume on my clothes. And I love that you are the last person I want to talk to before I go to sleep at night. And it's not because I'm lonely, and it's not because it's New Year's Eve. I came here tonight because when you realize you want to spend the rest of your life with somebody, you want the rest of your life to start as soon as possible. Sally: You see? That is just like you, Harry. You say things like that, and you make it impossible for me to hate you, and I hate you, Harry. I really hate you. I hate you. [They kiss] Taglines [ edit] Can two friends sleep together and still love each other in the morning? Can men and women be friends or does sex always get in the way? Cast [ edit] Billy Crystal — Harry Burns Meg Ryan — Sally Albright Bruno Kirby — Jess Carrie Fisher — Marie Steven Ford — Joe Lisa Jane Persky — Alice Harley Jane Kozak — Helen Helson External links [ edit] When Harry Met Sally. quotes at the Internet Movie Database When Harry Met Sally. at Rotten Tomatoes When Harry Met Sally. at.

When Harry Met Sally… Theatrical release poster Directed by Rob Reiner Produced by Rob Reiner Andrew Scheinman Nora Ephron Written by Nora Ephron Starring Billy Crystal Meg Ryan Carrie Fisher Bruno Kirby Music by Marc Shaiman Harry Connick Jr. Cinematography Barry Sonnenfeld Edited by Robert Leighton Production company Castle Rock Entertainment Nelson Entertainment Distributed by Columbia Pictures Release date July 21, 1989 Running time 96 minutes Country United States Language English Budget 16 million Box office 93. 1 million When Harry Met Sally. is a 1989 American romantic comedy film written by Nora Ephron and directed by Rob Reiner. It stars Billy Crystal as Harry and Meg Ryan as Sally. The story follows the title characters from the time they meet just before sharing a cross-country drive, through twelve years of chance encounters in New York City. The film raises the question "Can men and women ever just be friends. and advances many ideas about relationships that became household concepts, such as "high-maintenance" 1] and the "transitional person. 2] The origins of the film were derived from Reiner's return to single life after a divorce. An interview Ephron conducted with Reiner provided the basis for Harry. Sally was based on Ephron and some of her friends. Crystal came on board and made his own contributions to the screenplay, making Harry funnier. Ephron supplied the structure of the film with much of the dialogue based on the real-life friendship between Reiner and Crystal. The soundtrack consists of standards performed by Harry Connick Jr., with a big band and orchestra arranged by Marc Shaiman. For his work on the soundtrack, Connick won his first Grammy Award for Best Jazz Male Vocal Performance. Columbia Pictures released When Harry Met Sally. in select cities, letting word of mouth generate interest, before gradually expanding distribution. The film grossed 92. 8 million in North America. Ephron received a British Academy Film Award, an Oscar nomination, and a Writers Guild of America Award nomination for her screenplay. The film is ranked 23rd on AFI's 100 Years. 100 Laughs list of the top comedy films in American cinema and number 60 on Bravo's "100 Funniest Movies. In early 2004, the film was adapted for the stage in a production starring Luke Perry and Alyson Hannigan. Plot [ edit] In 1977, Harry Burns and Sally Albright graduate from the University of Chicago and share the drive to New York City, where Sally is beginning journalism school and Harry is starting a career. Harry is dating Sally's friend Amanda. During the drive, Harry and Sally discuss their differing ideas about relationships; Sally disagrees with Harry's assertion that men and women cannot be friends as "the sex part gets in the way. At a diner, Harry tells Sally she is attractive, and she angrily accuses him of making a pass at her. They part in New York on unfriendly terms. Five years later, Harry and Sally find themselves on the same flight. Sally is dating Harry's neighbor Joe, and Harry is engaged to Helen, which surprises Sally. Harry suggests they become friends, forcing him to qualify his previous position about the impossibility of male-female friendships. They separate, concluding that they will not be friends. Harry and Sally run into each other again in a bookstore five years later. They have coffee and talk about their previous relationships; Sally and Joe broke up because she wanted a family and he did not want to marry, and Harry's wife Helen left him for another man. They take a walk and become friends. They have late-night phone conversations, go to dinner, and spend time together, discussing their love lives. During a New Year's Eve party, Harry and Sally find themselves attracted to each other. Even though they remain friends, they set each other up with their respective best friends, Marie and Jess. When the four go to a restaurant, Marie and Jess become fast friends and later become engaged. Over the phone, Sally tearfully tells Harry that her ex is getting married. He rushes to her apartment to comfort her, and they have sex; Harry leaves the next morning distressed. Their friendship cools until a heated argument at Jess and Marie's wedding dinner. Harry attempts to mend his friendship with Sally, but she feels that they cannot be friends. At a New Year's Eve party that year, Sally feels alone without Harry by her side. Harry spends New Year's alone, walking around the city. As Sally decides to leave the party early, Harry appears and declares his love for her. She argues that the only reason he is there is because he is lonely, but he lists the many things he realized he loves about her. They kiss and marry three months later, exactly 12 years and three months after their first meeting. The plot also contains several interlaced segments throughout the film where fictitious older married couples narrate to the camera their stories of how they met. The last couple that is interviewed before the closing credits is Harry and Sally. Cast [ edit] Billy Crystal as Harry Burns Meg Ryan as Sally Albright Carrie Fisher as Marie Fisher Bruno Kirby as Jess Fisher Steven Ford as Joe Lisa Jane Persky as Alice Michelle Nicastro as Amanda Reese Kevin Rooney as Ira Stone Harley Kozak as Helen Hillson Estelle Reiner as Female Customer Production [ edit] In 1984, director Rob Reiner, producer Andy Scheinman and writer Nora Ephron met over lunch at the Russian Tea Room in New York City to develop a project. [3] Reiner pitched an idea for a film that Ephron rejected. [4] The second meeting transformed into a long discussion about Reiner and Scheinman's lives as single men. Reiner remembers, I was in the middle of my single life. I'd been divorced for a while. I'd been out a number of times, all these disastrous, confusing relationships one after another. 5] The next time they all met, Reiner said that he had always wanted to do a film about two people who become friends and do not have sex because they know it will ruin their relationship but have sex anyway. Ephron liked the idea, and Reiner acquired a deal at a studio. [3] For materials, Ephron interviewed Reiner and Scheinman about their lives, creating the basis for Harry. Reiner was constantly depressed and pessimistic yet funny. Ephron also got bits of dialogue from these interviews. [3] She worked on several drafts over the years while Reiner made Stand By Me and The Princess Bride. [4] Billy Crystal "experienced vicariously" Reiner's (his best friend at the time) return to single life after divorcing comedian/filmmaker Penny Marshall and in the process was unconsciously doing research for the role of Harry. [3] During the screenwriting process when Ephron would not feel like writing, she would interview people who worked for the production company. Some of the interviews appeared in the film as the interludes between certain scenes featuring couples talking about how they met, 3] although the material was rewritten and reshot with actors. [6] For example, in the scene where Sally and Harry appear on a split-screen, talking on the telephone while watching their respective television sets, channel surfing, was something that Crystal and Reiner did every night. [6] Originally, Ephron wanted to call the film How They Met and went through several different titles. Reiner even started a contest with the crew during principal photography: whoever came up with the title won a case of champagne. [4] In order to get into the lonely mindset of Harry when he was divorced and single, Crystal stayed by himself in a separate room from the cast and crew while they were shooting in Manhattan. [6] The script initially ended with Harry and Sally remaining friends and not pursuing a romantic relationship because she felt that was "the true ending" as did Reiner. [4] Eventually, Ephron and Reiner realized that it would be a more appropriate ending for them to marry, though they admit that this is generally not a realistic outcome. [7] When posed the film's central question, can men and women just be friends, Ryan replied, Yes, men and women can just be friends. I have a lot of platonic (male) friends, and sex doesn't get in the way. Crystal said, I'm a little more optimistic than Harry. But I think it is difficult. Men basically act like stray dogs in front of a supermarket. I do have platonic (women) friends, but not best, best, best friends. 8] Rob Reiner initially envisioned actress Susan Dey for the role of Sally Albright. When she declined, he later considered Elizabeth Perkins. He also considered casting Elizabeth McGovern. Molly Ringwald was almost cast, but Meg Ryan convinced Reiner to give her the role. Reiner's mother Estelle and daughter Tracy both played roles in the film. Katz's Delicatessen scene [ edit] Film still from the famous restaurant scene Katz's Deli still hangs this sign above the table. In a scene featuring the two title characters having lunch at Katz's Delicatessen in Manhattan, the couple are arguing about a man's ability to recognize when a woman is faking an orgasm. Sally claims that men cannot tell the difference, and to prove her point, she vividly (fully clothed) fakes one as other diners watch. The scene ends with Sally casually returning to her meal as a nearby patron (played by Reiner's mother) places her order: I'll have what she's having. When Estelle Reiner died at age 94 in 2008, The New York Times referred to her as the woman "who delivered one of the most memorably funny lines in movie history. 9] This scene was shot again and again, and Ryan demonstrated her fake orgasms for hours. [7] Katz's Deli still hangs a sign above the table that says, Where Harry met Sally. hope you have what she had. 10] 11] This classic scene was born when the film started to focus too much on Harry. Crystal remembers saying. We need something for Sally to talk about. and Nora said, Well, faking orgasm is a great one. and right away we said, Well, the subject is good. and then Meg came on board and we talked with her about the nature of the idea and she said, Well, why don't I just fake one, just do one. 3] Ryan suggested that the scene take place in a restaurant, 12] and it was Crystal who came up with the scene's classic punchline – "I'll have what she's having. 3] In 2005, the quote was listed 33rd on the AFI's 100 Years. 100 Movie Quotes list of memorable movie lines. Reiner recalls that at a test screening, all of the women in the audience were laughing while all of the men were silent. [4] In late 2013, Improv Everywhere, the New York City initiative behind the annual No Pants Day in the subways and various flash-mob stunts, convened and filmed a re-enactment in Katz's Delicatessen. While a look-alike couple performed the scene, 30 others joined as if it was contagious. Surprised staff and customers responded in appreciation. The film and follow-up interviews are public. [13] In October of the same year, Katz's invited Baron Von Fancy to display his ten-foot-high mural quoting the famous line in its pop-up gallery next door, The Space. [14] Soundtrack [ edit] The When Harry Met Sally. soundtrack album features American singer and pianist Harry Connick Jr. Bobby Colomby, the drummer for Blood, Sweat & Tears, was a friend of Reiner's and recommended Harry Connick Jr., giving the director a tape of the musician's music. Reiner was struck by Connick's voice and how he sounded like a young Frank Sinatra. The movie's soundtrack album was released by Columbia Records in July 1989. The soundtrack consists of standards performed by Harry Connick Jr. with a big band and orchestra arranged by Marc Shaiman. Connick won his first Grammy for Best Jazz Male Vocal Performance. [15] Arrangements and orchestrations on " It Had to Be You. Where or When. I Could Write a Book" and "But Not for Me" are by Connick and Shaiman. Other songs were performed as piano / vocal solos, or with Connick's trio featuring Benjamin Jonah Wolfe on bass and Jeff "Tain" Watts on drums. Also appearing on the album are tenor saxophonist Frank Wess and guitarist Joy Berliner. The soundtrack went to #1 on the Billboard Traditional Jazz Chart and was within the top 50 on the Billboard 200. [16] Connick also toured North America in support of this album. [17] It went on to reach double-platinum status. [18] The music in the film is performed by various artists, such as Louis Armstrong and Ella Fitzgerald, Frank Sinatra, Ray Charles, Bing Crosby, and Harry Connick Jr. Reception [ edit] Box office [ edit] Columbia Pictures released the film using the "platform" technique which involved opening it in a few select cities letting positive word of mouth generate interest and then gradually expanding distribution over subsequent weeks. On its opening weekend, it grossed 1 million in 41 theaters. [19] Billy Crystal was worried that the film would flop at the box office because it was up against several summer blockbuster films, like Indiana Jones and the Last Crusade and Batman. [3] The film went into wide release on July 21, 1989, and grossed 8. 8 million on its opening weekend in 775 theaters. [19] This was later expanded to 1, 174 theaters and the film grossed a total of 92. 8 million in North America, well above its 16 million budget. [19] Critical response [ edit] When Harry Met Sally. received a 90% approval rating on the review aggregator Rotten Tomatoes based on 70 reviews, with an average rating of 8. 03/10. The website's critical consensus reads, Rob Reiner's touching, funny film set a new standard for romantic comedies, and he was ably abetted by the sharp interplay between Billy Crystal and Meg Ryan. 20] On Metacritic, the film has a score of 76 out of 100, based on 17 critics. [21] The film led Roger Ebert to call Reiner "one of Hollywood's very best directors of comedy" and said that it was "most conventional, in terms of structure and the way it fulfills our expectations. But what makes it special, apart from the Ephron screenplay, is the chemistry between Crystal and Ryan. 22] In a review for The New York Times, Caryn James called When Harry Met Sally. an "often funny but amazingly hollow film" that "romanticized lives of intelligent, successful, neurotic New Yorkers" James characterized it as "the sitcom version of a Woody Allen film, full of amusing lines and scenes, all infused with an uncomfortable sense of déjà vu. 23] Rita Kempley of The Washington Post praised Meg Ryan as the "summer's Melanie Griffith – a honey-haired blonde who finally finds a showcase for her sheer exuberance. Neither naif nor vamp, she's a woman from a pen of a woman, not some Cinderella of a Working Girl. 24] Mike Clark of USA Today gave the film three out of four stars, writing, Crystal is funny enough to keep Ryan from all-out stealing the film. She, though, is smashing in an eye-opening performance, another tribute to Reiner's flair with actors. 25] David Ansen provided one of the rare negative reviews of the film for Newsweek. He criticized the casting of Crystal, Not surprisingly he handles the comedy superbly, but he's too cool and self-protective an actor to work as a romantic leading man" and felt that as a film, of wonderful parts, it doesn't quite add up. 26] Accolades [ edit] Association Category Nominee Results Academy Award Best Original Screenplay Nora Ephron Nominated American Comedy award Funniest Actress in a Motion Picture Won Funniest Actor in a Motion Picture Funniest Supporting Actress in a Motion Picture ASCAP Film and Television Music award Top Box Office Films Marc Shaiman British Academy Film award Best Film Rob Reiner Best Screenplay - Original Casting Society of America award Best Casting for Feature Film, Comedy Jane Jenkins Janet Hershenson Chicago Film Critics Association award Best Actress David di Donatello award Best Foreign Director Best Foreign Actress Directors Guild award Outstanding Directorial Achievement in Motion Pictures DVD Exclusive award Best Audio Commentary Golden Globe award Best Motion Picture - Comedy or Musical Best Director - Motion Picture Best Screenplay - Motion Picture Best Lead Actress in a Motion Picture - Comedy or Musical Best Lead Actor in a Motion Picture - Comedy or Musical Writers Guild award Best Screenplay Written Directly for the Screen Legacy [ edit] Over the years, When Harry Met Sally. has become "the quintessential contemporary feel-good relationship movie that somehow still rings true. 27] Ephron still received letters from people obsessed with the film and still had "people who say to me all the time, I was having a Harry-and-Sally relationship with him or her. 27] The film is 23rd on AFI's 100 Years. 100 Laughs list of the top comedy films in American cinema and number 60 on Bravo's "100 Funniest Movies. 28] Entertainment Weekly named it as one of the Top 10 romantic movies of all time. [29] The magazine also ranked it 12th on their Funniest Movies of the Past 25 Years list. [30] The periodical also ranked it 7th on their 25 Best Romantic Movies of the Past 25 Years list [31] and #3 on their Top 25 Modern Romances list. [32] The film has inspired countless romantic comedies, including A Lot Like Love, 33] Hum Tum, 34] and Definitely, Maybe. [35] In addition, the film helped popularize many ideas about love that have become household concepts now, such as the " high-maintenance " girlfriend and the "transitional person. 36] ‘You can find traces of ‘When Harry Met Sally DNA in virtually every romantic comedy thats been made since, ” The A. V. Club noted. [37] In June 2008, AFI revealed its "Ten top Ten"—the best ten films in ten "classic" American film genres—after polling over 1, 500 people from the creative community. When Harry Met Sally was acknowledged as the sixth best film in the romantic comedy genre. [38] It is also ranked #15 on Rotten Tomatoes ' 25 Best Romantic Comedies. [39] In early 2004, the film was adapted for the stage in a Theatre Royal Haymarket production starring Luke Perry and Alyson Hannigan. [40] Molly Ringwald and Michael Landes later replaced Hannigan and Perry for the second cast. [41] The film is recognized by American Film Institute in these lists: 2000: AFI's 100 Years. 100 Laughs – #23 [42] 2002: AFI's 100 Years. 100 Passions – #25 [43] 2004: AFI's 100 Years. 100 Songs: It Had to Be You " – #60 [44] 2005: AFI's 100 Years. 100 Movie Quotes: Customer: I'll have what she's having. – #33 [45] 2008: AFI's 10 Top 10: 6 Romantic Comedy Film [46] Home media [ edit] When Harry Met Sally. was first released on VHS in late 1989, a few months after its theatrical release. It was later re-released on VHS in 1994 as part of a Billy Crystal collection, 47] and in 1997 under the Contemporary Classics edition; the latter release included trailers that were not included in the original VHS release. It was released on DVD for the first time on January 9, 2001, and included an audio commentary by Reiner, a 35-minute "Making Of" documentary featuring interviews with Reiner, Ephron, Crystal, and Ryan, seven deleted scenes, and a music video for "It Had To Be You" by Harry Connick Jr. [48] A Collector's Edition DVD was released on January 15, 2008, including a new audio commentary with Reiner, Ephron, and Crystal, eight deleted scenes, all new featurettes ( It All Started Like This, Stories Of Love, When Rob Met Billy, Billy On Harry, I Love New York, What Harry Meeting Sally Meant, So Can Men And Women Really Be Friends. and the original theatrical trailer. [36] The film was released on Blu-ray on July 5, 2011 containing all of the special features found on the 2008 DVD release. [49] References [ edit] Michiko Kakutani. "From 'Happy Camper' to 'Out of Sight. The New York Times. Archived from the original on June 25, 2017. Retrieved February 23, 2017. "When Harry Met Sally" 1989) is credited with popularizing the phrase "high-maintenance. ^ Pasupathi, Vimala C (July 25, 2006. The Rhetoric of Love and Seduction. University of Texas at Austin. Archived from the original on April 2, 2007. Retrieved November 29, 2007. ^ a b c d e f g h Keyser, Lucy (July 25, 1989. It's Love at the box office for Harry Met Sally. Washington Times. ^ a b c d e "It All Started Like This. When Harry Met Sally. Collector's Edition DVD. 20th Century Fox. 2008. ^ Weber, Bruce (July 9, 1989. Can Men and Women Be Friends. Archived from the original on November 1, 2009. Retrieved September 23, 2007. ^ a b c Lacey, Liam (July 15, 1989. Pals make "buddy picture. The Globe and Mail. ^ a b Schwarz, Jeffrey (2000. How Harry Met Sally. When Harry Met Sally DVD. MGM. ^ Peterson, Karen S (July 17, 1989. When boy meets girl. USA Today. ^ Estelle Reiner, 94, Comedy Matriarch, Is Dead" Archived June 25, 2017, at the Wayback Machine. October 29, 2008. ^ 12 NYC Spots Used In Famous Movie Scenes: Katz's Delicatessen. Guest of a Guest. Archived from the original on December 24, 2013. Retrieved December 23, 2013. ^ Holden, Eric (April 1, 2013. Katz's Delicatessen: New York's Famous, Unique Deli. Yahoo! News. Retrieved December 23, 2013. ^ Ephron. speaking on BBC Radio 4 Archived July 13, 2013, at the Wayback Machine programme When Harry Met Sally At 20 Archived July 15, 2016, at the Wayback Machine (aired August 27, 2009) about 17 mins in ^ When Harry Met Sally In Real Life. November 12, 2013. Archived from the original on November 12, 2013. Retrieved November 12, 2013. ^ Eby, Margaret (November 6, 2013. Katz's Deli Gets Artsy. archived from the original on July 9, 2015, retrieved July 6, 2015 ^ Past Winners Search. The Recording Academy. Archived from the original on March 21, 2012. Retrieved January 9, 2008. ^ Jones, James T (December 28, 1989. Harry Connick Jr. He's All That Jazz. USA Today. ^ Miller, Mark (November 23, 1989. Brazilian rhythms with lots of appeal When Harry Met Sally. Harry Connick Jr. The Globe and Mail. ^ Bush, John. Biography. Legacy Recordings. Archived from the original on January 7, 2008. Retrieved June 15, 2008. ^ a b c "When Harry Met Sally. Box Office Mojo. November 29, 2007. Archived from the original on August 2, 2013. Retrieved November 29, 2007. ^ When Harry Met Sally (1989. Rotten Tomatoes. Archived from the original on August 29, 2013. Retrieved July 18, 2018. ^ When Harry Met Sally. Metacritic. Archived from the original on October 24, 2012. Retrieved February 5, 2016. ^ Ebert, Roger (July 12, 1989. When Harry Met Sally... Chicago Sun-Times. Archived from the original on September 30, 2007. Retrieved September 23, 2007. ^ James, Caryn (July 12, 1989. It's Harry (Loves) Sally in a Romance Of New Yorkers and Neuroses. Archived from the original on March 25, 2009. Retrieved September 23, 2007. ^ Kempley, Rita (July 12, 1989. Romance That Dances. The Washington Post. Archived from the original on November 5, 2012. Retrieved June 15, 2008. ^ Clark, Mike (July 12, 1989. Harry Met Sally is Reiner's next sure thing. USA Today. ^ Ansen, David (July 17, 1989. To Make True Lovers of Friends. Newsweek. ^ a b Tan, Cheryl Lu-Lien (February 16, 2001. When Harry Met Sally: For some, it's become a film icon. The Baltimore Sun. Archived from the original on March 3, 2016. Retrieved June 15, 2008. ^ Bravo's 100 Funniest Films. July 25, 2006. Archived from the original on January 6, 2009. Retrieved November 29, 2007. ^ Top 10 Romantic Movies. Entertainment Weekly. January 29, 2002. Archived from the original on June 21, 2013. Retrieved June 15, 2008. ^ The Comedy 25: The Funniest Movies of the Past 25 Years. August 27, 2008. Retrieved August 27, 2008. ^ 25 Best Romantic Movies of the Past 25 Years. September 11, 2008. Retrieved September 12, 2008. ^ Baldwin, Kristen; Brown, Scott; Burr, Ty; Cruz, Clarissa; Feitelberg, Amy; Fonseca, Nicholas; Kepnes, Caroline; Lee, Alice M. (February 8, 2002. Top 25 Modern Romances. Retrieved February 26, 2009. ^ Hobson, Louis B (April 22, 2005. Flick reminiscent of When Harry Met Sally. Calgary Sun. Archived from the original on June 24, 2013. Retrieved June 22, 2008. ^ Shariff, Faisal (May 27, 2004. Pehli nazar mein pehla pyaar is crap. The Rediff Interview/Kunal Kohli... Archived from the original on July 30, 2014. Retrieved June 25, 2008. ^ Rocchi, James (February 14, 2008. Review: Definitely, Maybe. Cinematical. Archived from the original on February 15, 2008. Retrieved June 22, 2008. ^ a b Karpel, Ari (January 11, 2008. When Harry Met Sally: Collector's Edition. Archived from the original on May 24, 2013. Retrieved June 15, 2008. ^ How Harry and Sally Revived Romance. The Attic. Retrieved January 7, 2020. ^ AFI's 10 Top 10. American Film Institute. June 17, 2008. Archived from the original on June 19, 2008. Retrieved June 18, 2008. ^ 25 Best Romantic Comedies. 2009. Archived from the original on December 27, 2012. Retrieved February 12, 2009. ^ Inverne, James (February 20, 2004. Hannigan and Perry's Harry and Sally Set to Face the London Press. Playbill. Retrieved November 26, 2007. ^ Inverne, James (May 17, 2004. Landes Joins Ringwald For London When Harry Met Sally. Retrieved November 26, 2007. ^ AFI's 100 Years. 100 Laughs" PDF. Archived (PDF) from the original on June 24, 2016. Retrieved July 17, 2016. ^ AFI's 100 Years. 100 Passions" PDF. 100 Songs" PDF. Archived (PDF) from the original on March 13, 2011. 100 Movie Quotes" PDF. Archived (PDF) from the original on March 8, 2011. Retrieved July 17, 2016. ^ AFI's 10 Top 10: Top 10 Romantic Comedy. Archived from the original on June 15, 2016. Retrieved July 17, 2016. ^ Billboard (May 21, 1994) page 55. ) Richter, Erin (January 12, 2001. When Harry Met Sally. Special Edition. Retrieved June 20, 2007. ^ Reuben, Michael (July 21, 2011. When Harry Met Sally Blu-ray Review. Archived from the original on September 18, 2012. Retrieved September 13, 2012. External links [ edit] When Harry Met Sally. on IMDb When Harry Met Sally. at AllMovie When Harry Met Sally. at Box Office Mojo When Harry Met Sally. at Rotten Tomatoes When Harry Met Sally. at Metacritic.

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Here are some things you might not have known about the award-winning—and much-beloved—1960s-set coming-of-age tale, which made its debut on January 31, 1988. 1. The basic concept for The Wonder Years began as a film script. “We played around with writing a screenplay that used narration as a device, ” series co-creator Carol Black told New York magazine in 1989. “We just started to think that there was a lot of potential fun in that ‘cause you can really play with the contrast between the narrators point of view and what the characters are doing. And you can go inside their head and expose what theyre really thinking when theyre saying something different … And then we just sort of jumped from there to thinking that effect is accentuated when you have an adult narrator looking back on childhood. ” Black created the series with her husband, Neal Marlens; the couple had previously worked on Growing Pains. 2. The Wonder Years was inspired by A Christmas Story. From the coming-of-age theme to the use of narration, A Christmas Story inspired the spirit of The Wonder Years. Peter “Ralphie” Billingsley even appeared in the series's final two episodes as one of Kevins roommates. 3. The Wonder Years s lack of laugh track and single camera setup were revolutionary. The Wonder Years set itself apart from other shows of its time, production-wise, with its single camera setup, use of a narrator, and complete lack of laugh track. “ The Wonder Years [showed the television industry] that its OK to create a show like that—to take out the laugh track, to try different camera styles—to take a risk, ” Josh Saviano, who played Paul Pfeiffer, told Salon in 2013. 4. Fred Savage was the obvious choice to play The Wonder Years s Kevin Arnold. Casting kids is never an easy task. To help them in finding their lead actor, Marlens and Black interviewed five casting directors for recommendations. All five of them suggested Fred Savage, who at that point was best known for his role in The Princess Bride. “By the time we actually settled on a casting director, we had already resolved that we should see Fred, ” Marlens told The Philadelphia Inquirer in 1988. “Knowing nothing about him, we arranged to screen some unedited footage of a film he was making at the time, Vice Versa … [We saw] a marvelous actor with a natural quality, which essentially means he has no quality at all except being a kid. It sounds funny, but its a rare thing to find in a child actor. Its the same thing we looked for and discovered in Josh Saviano and Danica McKellar. ” 5. The Wonder Years is set in Anytown, USA. Though no specific location is ever given for Kevin Arnolds hometown, thats not the doing of the seriess creators. Neal Marlens wanted to set The Wonder Years in Huntington, Long Island—his hometown—and additional elements were also pulled from Blacks hometown of Silver Spring, Maryland. But it was at ABCs insistence that no city or state was ever mentioned. Still, many eagle-eyed watchers have combed through the series for clues—like Jack Arnolds license plate and Waynes drivers license—that place the show in California, where it was filmed. 6. The Wonder Years premiered after the Super Bowl. After more than 80 million viewers tuned in to see the Washington Redskins crush the Denver Broncos (final score: 42 to 10) on January 31, 1988, they were treated to the seriess premiere—which Marlens called “a bit of Americana after the quintessential example of Americana. ” 7. The Wonder Years won its first Emmy after just six episodes. Though it wasnt an immediate ratings bonanza, The Wonder Years was a critical smash from the get-go. On August 28—with only six episodes screened—Marlens and Black took home the 1988 Emmy for Outstanding Comedy Series. 8. Fred Savage became the youngest Lead Actor Emmy nominee. In 1989, at the age of 13, Savage became the youngest actor to be nominated for an Emmy in the Outstanding Lead Actor in a Comedy Series category. He was nominated again in 1990. 9. Danica McKellars toughest competition for Winnie Cooper was her sister. When it came down to casting the role of dream girl Winnie Cooper, there were two final contenders: Danica McKellar and her sister, Crystal. “It was practically a tossup, ” casting director Mary Buck told the Los Angeles Times in 1990. After choosing Danica for the role, Crystal was hired for the recurring role of Becky Slater, Winnies one-time rival for Kevins affections. 10. Kevin and Winnies first kiss was the real thing. In the seriess premiere episode, Kevin and Winnie share an awkward first kiss, a coming-of-age ritual neither of the young actors had yet to engage in in real life. “The one good thing about getting your first kiss on camera is that you know for sure its going to happen, ” McKellar said in 2014. For his part, Savage called it terrifying. “We were both really scared and nervous and—and—didn't know what was going to happen or … if we were going to do it right. ” 11. A mutual crush between Fred Savage and Danica McKellar was inevitable. Though they swear the relationship eventually morphed into a brother-sister sort of bond, both Savage and McKellar admitted to having mutual crushes in People. “I was in love with her for the same reasons every other boy fell in love with her, ” Savage said. “You won't meet a sweeter, nicer girl—and she's gorgeous. ” “In the beginning we had a mutual crush, ” added McKellar. “Then things went into the teasing stuff and then into a more comfortable, brother-sister thing. ” 12. It was Dan Laurias suggestion that The Wonder Years s Jack Arnold be a veteran. “I really didnt contribute that much, but the one thing I did contribute to the character is that when we were shooting the pilot I said to Neal, ‘Look, Im a vet. Im a Vietnam veteran and a Marine, and I think if the story is that Im a vet, thatd fit the character, ” Dan Lauria recalled to Paste. “Before we even finish the pilot, he said, ‘Well, if we go, Dan, were going to make you a Korean War vet to fit the frame. And so they did, and it paid off. There were a number of episodes where it was mentioned that I was a veteran and when my daughter left for college I gave her my old duffle bag from the service. We always had the Vietnam War in the background on the TV at the dinner table. So there were actual news clips. ” 13. Some of Kevin and Winnies dialogue in The Wonder Years was lifted from real life. “Kevin and Winnies relationship was, in some ways, defined by my friendship with Fred and some of the things that we would say, ” McKellar told Collider. “The writers would actually take lines from things that we were saying to each other, off camera, and put it into the script. There was this whole episode dedicated to, ‘Do you like him, or do you like him, like him? That was an expression that he and I used when we were talking about some guy that I had a crush on, in real life. And then, it showed up in a script, a few weeks later. There were a lot of blurred lines. ” 14. A growth spurt caused Winnie and Kevins breakup on The Wonder Years. Kevin and Winnies on-again, off-again romance was one of the seriess key storylines. But on at least one occasion—between the shows third and fourth seasons—the breakup was more of a practical decision when a growth spurt saw McKellar standing much taller than her sub-five-foot onscreen beau. The couple was kept apart just long enough for Savage to catch up to his co-stars height. 15. Jason Herveys brother was the real Wayne Arnold. “There were so many things that I borrowed from our real life experiences, ” Hervey told Uproxx of his brother, Scott. “Ill give you an example: Juliette Lewis was my girlfriend on the show at the time, and it was the drivers license episode. We took Fred—I mean, Kevin—to the mall because my mom made us, and I dropped him off at the absolute, absolute furthest end of the mall parking lot and I said to him, ‘Well, technically, this is the mall. And when I picked him up, of course, he was already flirting with this girl, and sure enough Wayne pulls up and I tell him to get in the car, and then every time he went to reach for the door, I kept jerking it forward. And obviously, the first day of 7th grade, my brother did that to me in real life, and just embarrassed the hell out of me. ” 16. Growing up was part of The Wonder Years s demise. The Wonder Years was a show about growing up, which is partially what led to its wrapping production after six seasons. “There has always been a question of just how long the wonder years last, ” executive producer Bob Brush told the Los Angeles Times in 1993, following the seriess finale. “As the kids were developing and getting older, there were of course new stories to tell, but the tension and constraints of the deadline of the concept of the wonder years were beginning to press on us … When [Fred Savage] became 16 and 17, there were really things he needed to get to that we couldnt do at 8 p. m., especially with the kind of venerable cachet that the show had obtained with its audience. We would get notes from the network saying, ‘You could do this on any show besides The Wonder Years. '” 17. The Wonder Years enlisted The Sopranos creator David Chases help. In an effort to breathe a more mature life into the series, producer Ken Topolsky commissioned Sopranos creator David Chase to write a script. “When its a suburban kid who has a pretty good life and hes complaining about mom not letting him do something, you just want to smack him, ” Topolowsky told The Wall Street Journal. “Thats when we felt that Kevins wonder years were over. ” Though he calls Chases script “phenomenal” and “one of the best, ” its storyline—which included hard drug use—would have been too big a leap for the family-friendly series. 18. Daniel Stern wasnt The Wonder Years s original narrator. Though Daniel Sterns voice is the adult Kevin Arnold we all know and love, it was Arye Gross who narrated the original pilot. Eventually, the series premiere was re-recorded with Stern. 19. Marilyn Manson was not Paul Pfeiffer. Its one of those Internet rumors that never seems to die. But somehow, somewhere, someone decided that Josh Saviano, the actor who played Kevins BFF Paul Pfeiffer, was in fact Marilyn Manson. Which is simply not true. Though that hasnt stopped the shock rocker from getting in on the fun. “I met [Marilyn Manson] once, ” Savage told ABC News. “He came up to me, and he goes, ‘You know, we worked together. I was like, ‘I do. I do know that. ” 20. Paul Pfeiffer really did become a lawyer. In the series finale, Kevin shares that Paul attended Harvard and became a lawyer. Which isnt too far off base. In reality, Josh Saviano attended Yale and became a lawyer. 21. The Wonder Years fans were disappointed that Kevin and Winnie didnt end up together. Executive producer Bob Brush knew that fans of the series wouldnt be happy that it didnt end with Kevin and Winnies happily ever after. “Some viewers will be surprised that nothing works out the way your fondest wish would be, ” Brush told the Los Angeles Times. “The message I wanted in there is that thats part of the beauty of life. Its fine to say, ‘I'd like everything to be just the way it was when I was 15 and I was happy, but it seemed more nurturing to me to say that we leave these things behind and we go on to forge new lives for ourselves. ” 22. The little boys voice in The Wonder Years s finale is Daniel Sterns son. As the series concludes, the voice of Kevins little boy is heard asking his dad to come outside and play catch. The voice is Sterns son. 23. The Wonder Years gave a boost to many young actors careers. Juliette Lewis, Jim Caviezel, Alicia Silverstone, Giovanni Ribisi, Mark-Paul Gosselaar, David Schwimmer, Carla Gugino, and John Corbett (then known as Jack) are just a few of the actors who found some of their earliest roles on The Wonder Years. Even Robin Thicke got in on the action, as a young man doing his teenaged best to pick up a girl. 24. Jack Arnold dated Maggie Seaver. Before The Wonder Years, Marlens and Black had created Growing Pains. Which is how Dan Lauria heard about the role of Jack Arnold. “I had done a part on Growing Pains, and I was going out with Joanna Kerns [who played mom Maggie Seaver on the show] at the time, so I heard about it through her, ” Lauria told Paste. “My agent couldnt get me in, and Joanna said, ‘Well, why dont you call Neal? He likes you, you guys got along. ‘Cause we both grew up on Long Island, so we would tease each other [about] which school was better at sports. And I said, ‘No, I dont want to do that, its so unprofessional, and Joanna went in and actually called Neal, and she came out and said, ‘Neal said be there tomorrow at 10 oclock. He thinks youre perfect. ” 25. Fred Savage will always be Kevin Arnold. Though he has made the transition from actor to producer and director of shows like Its Always Sunny in Philadelphia and Party Down, Savage told GQ that “The persona of The Wonder Years is something that's going to be with me forever. And I'm happy for that. It's nothing that I'd ever shy away from, and it makes me feel so good that it's something people still remember and talk about it and think of it so fondly. I think now I've established myself as a director, but starting out, I'd be foolish to think that every opportunity that came after The Wonder Years didn't stem from The Wonder Years. So I owe so much of everything to that show. ”.

Behold, 25 of our favorite When Harry Met Sally quotes! 1. "I love that you get cold when it's 71 degrees out. I love that it takes you an hour and a half to order a sandwich. I love that you get a little crinkle above your nose when you're looking at me like I'm nuts. I love that after I spend the day with you, I can still smell your perfume on my clothes. And I love that you are the last person I want to talk to before I go to sleep at night. And it's not because I'm lonely, and it's not because it's New Year's Eve. I came here tonight because when you realize you want to spend the rest of your life with somebody, you want the rest of your life to start as soon as possible. Harry's epic declaration of love 2. "Nothing. Its just that all men are sure it never happened to them and all women at one time or other have done it so you do the math. Sally on faking orgasms 3. "I'll have what she's having. Rob Reiner's mother reacting to Sally's faked orgasm 4. "Baby fish mouth. The best Pictionary guess ever courtesy of Jess 5. "What I'm saying is- and this is not a come-on in any way, shape or form- is that men and women can't be friends because the sex part always gets in the way. Harry exlaining his entire philosophy to Sally 6. "You look like a normal person but actually you are the angel of death. Sally to Harry 7. "When I buy a new book, I read the last page first. That way, in case I die before I finish, I know how it ends. That, my friend, is a dark side. Harry explaining his dark side 8. "All I'm saying is that somewhere out there is the man you are supposed to marry. And if you don't get him first, somebody else will, and you'll have to spend the rest of your life knowing that somebody else is married to your husband. Marie on the difficulty of being single 9. "It is so nice when you can sit with someone and not have to talk. Harry trying to break the awkwardness with Sally 10. "Harry, you might not believe this, but I never considered not sleeping with you a sacrifice. Oh snap! Good one, Sally 11. "You made a woman meow. Jess reacting to Harry's latest sex story 12. "You take someone to the airport, its clearly the beginning of the relationship. That's why I have never taken anyone to the airport at the beginning of a relationship. Because eventually things move on and you don't take someone to the airport and I never wanted anyone to say to me, How come you never take me to the airport anymore. Pro relationship tips from Harry 13. "No one has ever quoted me back to me before. Jess to Marie during the beginning of their courtship 14. "You see? That is just like you, Harry. You say things like that, and you make it impossible for me to hate you. Sally after Harry's declaration of love 15. "There are two kinds of women: high maintenance and low maintenance. Harry explaining women to Sally 16. "All this time I've been saying that he didn't want to get married. But the truth is he didn't want to marry me. He didn't love me. Sally sobbing after she finds out her ex is engaged 17. "Six years later you find yourself singing Surrey with a fringe on top in front of Ira. Harry after running into Helen 18. "You are a human affront to all women and I am a woman. Sally reacting to Harry leaving women he just slept with 19. "But I'd like the pie heated and I don't want the ice cream on top I want it on the side and I'd like strawberry instead of vanilla if you have it if not then no ice cream just whipped cream but only if it's real if it's out of a can then nothing. Sally's crazy ordering 20. "Had my dream again where I'm making love, and the Olympic judges are watching. I'd nailed the compulsories, so this is it, the finals. I got a 9. 8 from the Canadians, a perfect 10 from the Americans, and my mother, disguised as an East German judge, gave me a 5. 6. Must have been the dismount. Harry's recurring sex dream 21. "What they could do to make it easier is combine the two. You know, Mr. Kline died yesterday, leaving behind a wife, two children, and a spacious three bedroom apartment with a wood burning fireplace. Harry on the difficulty of finding an apartment in NYC 22. "Because of God. Sally of why they don't make Sunday in the days of the week underpants 23. "A Sheldon can do your income taxes, if you need a root canal, Sheldon's your man. but humpin' and pumpin' is not Sheldon's strong suit. It's the name. 'Do it to me Sheldon, you're an animal Sheldon, ride me big Shel-don. Doesn't work. Harry not believing Sally had good sex with Sheldon 24. "You know, you may be the first attractive woman I've not wanted to sleep with in my entire life. Harry to Sally 25. "No one thinks he's ever gonna leave her. Everybody to Marie when she talks about the married man she's sleeping What's your favorite When Harry Met Sally quote.

 

 

 

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